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Drawing as Spatial Thinking
Drawing here is not just for expression—it’s a tool for constructing thought. It allows me to work through uncertainty, to think with my hands before building with material. It doesn’t just outline the object—it begins to articulate relationships, balances, even memory. Some drawings remain loose, others become structural proposals. In this way, drawing becomes spatial thinking in motion: a flexible rehearsal before anything becomes rigid. It’s a quiet way of imagining movement, volume, and terrain—without fixing them too early. It’s also where mistakes are welcome, and possibility stays open.
Dancers on Paper
Every brushstroke captures the fleeting motion of the human body—curved, weightless, alive. These watercolor studies explore form through rhythm and restraint, letting negative space dance alongside gesture, like movement paused in breath.
Vitality in the tranquility
These still life sketches breathe with quiet attention. From graphite leaves to watercolor creatures, each form holds a pulse within stillness—gathered through patient observation, rendered with softness, and alive with silent presence.
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