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THE Forming Before Formed
The Forming Before Formed collects the thoughts and the experiments before certainty. These works are not final sculptures or resolved landscapes but rather spatial intuitions, material rehearsals, narrative sketches, and emotional inquiries that come before clarity. Here, design is not an object—it is an action. Each fragment questions, rehearses, assembles, and dissolves. These are not things I have completed, but forms I am still forming. This section is a raw terrain where my landscape and sculpture practices converge, where matter begins to think, and thought begins to take shape. It is a space of becoming—a lab, a map, a personal topography of potential. These works do not show what is—but what is becoming.
Ecological & Climate:
Keywords: mycelium、decomposition、bio-inspired material、fluidity
These works experiment with materials, systems, and design techniques that engage with ecological processes—decomposition, absorption, fluid retention, and growth. They are small in scale but rich in intent, often operating as speculative devices that rethink how landscape materials can actively perform. They challenge the designer to think materially and systemically and to see ecological design not as a passive representation, but as active collaboration with natural processes.
The Grammar of Structure:
Keywords: urban pattern, spatial evolution, negative form, landscape prototype
This category explores spatial structures through the lens of typology—those recurring forms and spatial patterns that shape our cities, terrains, and lived environments. These works do not offer fixed outcomes but instead analyze and recompose the patterns embedded in the built world. These fragments engage with the logic of place, often using negative space, voids, and modular systems to articulate the relationship between urban geometry and lived experience.This category celebrates type's analytical and projective potential as a landscape tool.
Time & Motion:
Keywords: temporal sequence, transience, spatial memory, frozen movement
This category captures time-based phenomena and transforms them into spatial or visual expressions. These works trace the ephemeral and make it tangible—turning movement into form and memory into structure. This is where time is not only measured but embodied. Each piece is a meditation on temporality—on change, transition, and duration. They challenge static design conventions by embodying duration as a spatial logic. Time becomes material. Motion becomes composition. These fragments speak quietly, asking the viewer not to look at what is, but at what was—and what is becoming.
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